Tuesday, December 7, 2010

Graffiti

Taken from WickedShift, WordPress Blog.

"You may or may not have heard of this rather genius phenomenon: reverse graffiti. At any rate, I only came across it tonight. It’s hilariously ironic; the graffiti artist in fact cleans walls, rather than covers them in order to create a piece. It helps to have a very dirty surface though. Which luckily most cities have in spades. I just find the idea delightful; it’s sort of like a large-scale equivalent of drawing in the car window condensation on frosty days. Not sure how illegal it is, but people have been prosecuted for it; yes, prosecuted for cleaning walls. As soon as you derive enjoyment from something, it becomes immoral." -WickedShift

This is probably my favorite post, which I saved for last. I found this from this WordPress blog: http://wickedshift.wordpress.com/2008/08/. I was looking for this graffiti site, MUTO, which features graffiti in motion and I stumbled across this "Reverse Graffiti". I think that this type of graffiti is a dichotomy to everything that graffiti stands for. Graffiti hasn't totally been accepted as a public display of art, but rather than an act of defacing public property. The fact that this oxymoron exists and stands for an environmentally-friendly movement is something that I hope spreads and becomes more popular.

Banking Typography

Australia's $50 Note

In addition to Australia's local flavor typography, which is especially highlighted in Sydney, Australia has a very interested money system that incorporates multiple typefaces on its notes. Banking typography is reflected because all typefaces that are seen on the notes are professional and regal-looking; however sans-serif and serif fonts are combined, making a unique typographic style. "Australia" is written on a vertical baseline (?) and is in cursive, "Fifty Dollars" is written in a serif font in all caps, and there are also elements of handwritten typography shown on the right side of the note, as well as the sans-serif "50" in the upper right corner.

Urban Typography

Taken from David Cason's website http://www.davidcarsondesign.com/

"He changed the public face of graphic design." -Newsweek
"The art director of the era." -Creative Review London
"The most important work coming out of America." -American Center For Design
"The most influential graphic designer of our times." -Surfrider Foundation, July '09
"He significantly influenced a generation to embrace typography as an expressive medium." -Steven Heller 2010

Those are comments about the designer, David Carson, that were found on his website. David Carson designs typography and juxtaposes letters that force the viewer to see past the words and through to the meaning they represent. I classified this typography as Urban Typography since a lot of his work is displayed in cities and serves as advertisements and awareness-building campaigns. The urban style is also reflected in many of the distressed/destroyed letter thicknesses as well as the uneven sizing and positions of the words in an almost "retro-like" sense. David Carson's surfing background has influenced his work and a lot of high profile surf competitions have featured his typography for promotions and events.

Graduate Research Assignment: eBooks

Kara Siegert
Graduate Research Assignment

The Digital Type Revolution: Digital Type Design’s Impact on eBooks
     
          Digital type has impacted electronic and print design in the 21st century, integrating traditional print with the continual technological advances that have mainstreamed media outlets. The revolutionary eBook industry allows publishers to digitally release multiple formats together at a reduced cost--a book’s hardcover print and audiobook CD publications can be merged together and consumers no longer have to choose one format over another (Eaton 72). Electronic print has emerged online as well as through specialized reading devices that have allowed books to be cheaper and more accessible, as well as improving literacy and comprehension.
          Despite the competitive economic market that digital content resellers are still a part of, the unlimited shelf space allows all books to be promoted simultaneously. Digital publishers are also able to reduce production and distribution costs since the potential problem of predicting the content that will sell in stores is eliminated in the online market. “Online resellers have always had an advantage over bricks and mortar stores in that they can display every book published in a given year. They can list the book and if demand accrues, they can order copies from the publisher. They do not have to take the risk of ordering stock. The brick and mortar store cannot do that,” stated Young (139). The iPad and Amazon’s Kindle are prime examples of the revolutionary experience purchasing eBooks has become. Apple gives publishers the ability to directly set prices whereas Amazon buys content from publishers, sets its own retail prices, and profits off the differences (Schiller 14). The wholesale approach that Amazon uses may not be as preferable as the App Store’s wholesale approach (which allows Apple to take a 30% cut of the price that publishers set); however, Amazon Kindle’s eBooks still outsell its hardcover books on Amazon.com. Borders has also launched an eBook store that allows users to purchase books directly from Borders.com and download them to their e-readers of choice, offering free e-reader apps for Mac, PC, and mobile devices (Quint 11). Electronic eBook tablets (i.e. Amazon’s Kindle, Barnes & Noble’s Nook, and Apple’s iPad), along with online digital publishing services (i.e. Borders, Nelson Free, and Zinio) combines variety, price, and accessibility, increasing the availability of printed content.
          In addition to electronic print revolutionizing content availability, according to Larson (15), recent studies of eBook reading and response behaviors suggest that eBook reading may support comprehension and strengthen both aesthetic and efferent reader response. Barnes & Noble’s NOOKstudy is a freely available software application that has been designed to enable students to manage all their digital content--etext-books, class materials, and notes--on the computer device they rely on most, their PC or Mac (Quint 7). It could be argued that the appeal of eBooks are their growing popularity, but there is no denying this--tablets, such as the Kindle, provide a heightened reading experience can be conductive to improving literary skills. The Kindle provides a choice of six different font sizes, a built-in dictionary, as well as a text-to-speech feature, which allow consumers to view reading material according to their needs and personal preferences. In general, eBooks and digital readers have the potential to unveil an array of new teaching and learning possibilities rather than restrictive traditional reading methods. The International Reading Association also emphasized the importance of combining information and communication technologies into current literacy programs and stated that, “a first step toward integrating new literacies into existing reading programs often involves redefining the notion of what constitutes text, as teachers seek alternative text sources including digital texts and electronic books” (Larson 15).
          The advantages that digital type has created for our society has undoubtedly changed the way that people are able to consume and benefit from the written word. Electronic print has broadened the economy--eBooks and digital text are cheaper, as well as provide opportunities for the traditional text market to expand. In a world where time, space, and money are limited, it’s evident that digital type is making a great contribution to the success and prosperity of electronic media.

 
Bibliography

Eaton, Lance. "BOOKS BORN DIGITAL." Library Journal 134.9 (2009): 26-28. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Larson, Lotta C. "Digital Readers: The Next Chapter in E-Book Reading and Response." Reading Teacher 64.1 (2010): 15-22. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Quint, Barbara. "Up Front With Barbara Quint. In Search of the Question." Information Today 27.8 (2010): 7-8. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Schiller, Kurt. "iPad Already Impacting." EContent 33.3 (2010): 14-15. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Young, Neil. "How Digital Content Resellers are Impacting Trade Book Publishing." Publishing Research Quarterly 25.3 (2009): 139-146. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Neon Typography

Taken from http://www.avam.org/exhibitions/current-exhibitions.shtml

This past weekend my friends and I went to the Maryland Science Center and we happened to park in front of the American Visionary Art Museum. I did the animated gif type in motion on the AVAM actually, but I had never been to it before. Unfortunately, I didn't get to go in because by the time we got out of the Science Center, it was closed; however, I got to see the neon typeface that hung on its walls, facing Key Highway. The best exhibit I'd think that the museum features that would have amazing typography would be when PostSecret has an installation available. The PostSecret exhibit isn't available there now, but the postcards that are on display always have the coolest letter arrangements, so keep that in mind!