Tuesday, December 7, 2010

Graffiti

Taken from WickedShift, WordPress Blog.

"You may or may not have heard of this rather genius phenomenon: reverse graffiti. At any rate, I only came across it tonight. It’s hilariously ironic; the graffiti artist in fact cleans walls, rather than covers them in order to create a piece. It helps to have a very dirty surface though. Which luckily most cities have in spades. I just find the idea delightful; it’s sort of like a large-scale equivalent of drawing in the car window condensation on frosty days. Not sure how illegal it is, but people have been prosecuted for it; yes, prosecuted for cleaning walls. As soon as you derive enjoyment from something, it becomes immoral." -WickedShift

This is probably my favorite post, which I saved for last. I found this from this WordPress blog: http://wickedshift.wordpress.com/2008/08/. I was looking for this graffiti site, MUTO, which features graffiti in motion and I stumbled across this "Reverse Graffiti". I think that this type of graffiti is a dichotomy to everything that graffiti stands for. Graffiti hasn't totally been accepted as a public display of art, but rather than an act of defacing public property. The fact that this oxymoron exists and stands for an environmentally-friendly movement is something that I hope spreads and becomes more popular.

Banking Typography

Australia's $50 Note

In addition to Australia's local flavor typography, which is especially highlighted in Sydney, Australia has a very interested money system that incorporates multiple typefaces on its notes. Banking typography is reflected because all typefaces that are seen on the notes are professional and regal-looking; however sans-serif and serif fonts are combined, making a unique typographic style. "Australia" is written on a vertical baseline (?) and is in cursive, "Fifty Dollars" is written in a serif font in all caps, and there are also elements of handwritten typography shown on the right side of the note, as well as the sans-serif "50" in the upper right corner.

Urban Typography

Taken from David Cason's website http://www.davidcarsondesign.com/

"He changed the public face of graphic design." -Newsweek
"The art director of the era." -Creative Review London
"The most important work coming out of America." -American Center For Design
"The most influential graphic designer of our times." -Surfrider Foundation, July '09
"He significantly influenced a generation to embrace typography as an expressive medium." -Steven Heller 2010

Those are comments about the designer, David Carson, that were found on his website. David Carson designs typography and juxtaposes letters that force the viewer to see past the words and through to the meaning they represent. I classified this typography as Urban Typography since a lot of his work is displayed in cities and serves as advertisements and awareness-building campaigns. The urban style is also reflected in many of the distressed/destroyed letter thicknesses as well as the uneven sizing and positions of the words in an almost "retro-like" sense. David Carson's surfing background has influenced his work and a lot of high profile surf competitions have featured his typography for promotions and events.

Graduate Research Assignment: eBooks

Kara Siegert
Graduate Research Assignment

The Digital Type Revolution: Digital Type Design’s Impact on eBooks
     
          Digital type has impacted electronic and print design in the 21st century, integrating traditional print with the continual technological advances that have mainstreamed media outlets. The revolutionary eBook industry allows publishers to digitally release multiple formats together at a reduced cost--a book’s hardcover print and audiobook CD publications can be merged together and consumers no longer have to choose one format over another (Eaton 72). Electronic print has emerged online as well as through specialized reading devices that have allowed books to be cheaper and more accessible, as well as improving literacy and comprehension.
          Despite the competitive economic market that digital content resellers are still a part of, the unlimited shelf space allows all books to be promoted simultaneously. Digital publishers are also able to reduce production and distribution costs since the potential problem of predicting the content that will sell in stores is eliminated in the online market. “Online resellers have always had an advantage over bricks and mortar stores in that they can display every book published in a given year. They can list the book and if demand accrues, they can order copies from the publisher. They do not have to take the risk of ordering stock. The brick and mortar store cannot do that,” stated Young (139). The iPad and Amazon’s Kindle are prime examples of the revolutionary experience purchasing eBooks has become. Apple gives publishers the ability to directly set prices whereas Amazon buys content from publishers, sets its own retail prices, and profits off the differences (Schiller 14). The wholesale approach that Amazon uses may not be as preferable as the App Store’s wholesale approach (which allows Apple to take a 30% cut of the price that publishers set); however, Amazon Kindle’s eBooks still outsell its hardcover books on Amazon.com. Borders has also launched an eBook store that allows users to purchase books directly from Borders.com and download them to their e-readers of choice, offering free e-reader apps for Mac, PC, and mobile devices (Quint 11). Electronic eBook tablets (i.e. Amazon’s Kindle, Barnes & Noble’s Nook, and Apple’s iPad), along with online digital publishing services (i.e. Borders, Nelson Free, and Zinio) combines variety, price, and accessibility, increasing the availability of printed content.
          In addition to electronic print revolutionizing content availability, according to Larson (15), recent studies of eBook reading and response behaviors suggest that eBook reading may support comprehension and strengthen both aesthetic and efferent reader response. Barnes & Noble’s NOOKstudy is a freely available software application that has been designed to enable students to manage all their digital content--etext-books, class materials, and notes--on the computer device they rely on most, their PC or Mac (Quint 7). It could be argued that the appeal of eBooks are their growing popularity, but there is no denying this--tablets, such as the Kindle, provide a heightened reading experience can be conductive to improving literary skills. The Kindle provides a choice of six different font sizes, a built-in dictionary, as well as a text-to-speech feature, which allow consumers to view reading material according to their needs and personal preferences. In general, eBooks and digital readers have the potential to unveil an array of new teaching and learning possibilities rather than restrictive traditional reading methods. The International Reading Association also emphasized the importance of combining information and communication technologies into current literacy programs and stated that, “a first step toward integrating new literacies into existing reading programs often involves redefining the notion of what constitutes text, as teachers seek alternative text sources including digital texts and electronic books” (Larson 15).
          The advantages that digital type has created for our society has undoubtedly changed the way that people are able to consume and benefit from the written word. Electronic print has broadened the economy--eBooks and digital text are cheaper, as well as provide opportunities for the traditional text market to expand. In a world where time, space, and money are limited, it’s evident that digital type is making a great contribution to the success and prosperity of electronic media.

 
Bibliography

Eaton, Lance. "BOOKS BORN DIGITAL." Library Journal 134.9 (2009): 26-28. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Larson, Lotta C. "Digital Readers: The Next Chapter in E-Book Reading and Response." Reading Teacher 64.1 (2010): 15-22. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Quint, Barbara. "Up Front With Barbara Quint. In Search of the Question." Information Today 27.8 (2010): 7-8. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Schiller, Kurt. "iPad Already Impacting." EContent 33.3 (2010): 14-15. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Young, Neil. "How Digital Content Resellers are Impacting Trade Book Publishing." Publishing Research Quarterly 25.3 (2009): 139-146. Academic Search Premier. EBSCO. Web. 6 Dec. 2010.

Neon Typography

Taken from http://www.avam.org/exhibitions/current-exhibitions.shtml

This past weekend my friends and I went to the Maryland Science Center and we happened to park in front of the American Visionary Art Museum. I did the animated gif type in motion on the AVAM actually, but I had never been to it before. Unfortunately, I didn't get to go in because by the time we got out of the Science Center, it was closed; however, I got to see the neon typeface that hung on its walls, facing Key Highway. The best exhibit I'd think that the museum features that would have amazing typography would be when PostSecret has an installation available. The PostSecret exhibit isn't available there now, but the postcards that are on display always have the coolest letter arrangements, so keep that in mind!

Sunday, November 28, 2010

Logo-typography

Taken from Barnes & Noble Star Wars Book
 
I'm not really a huge Star Wars fan, but I was looking at books in Barnes & Noble and saw an entire table of Star Wars books about everything to do with this science fiction genre. All of the books had the same (or very similar) font style that did seem to be characterized with a "fantasy/space" element. This specific typography is associated with the Star Wars logo and many encompassing genres and Star Wars collectibles.

Childlike Typography

Taken at Barnes & Noble

I haven't read this book, but the typography intrigued me when I saw it on display at Barnes & Noble. The book is called, Room and is about a boy who is held captive with his mother and is confined to one room for the majority of his life. This typography was drawn in crayons and definitely looks like a child wrote it due to the jagged features, no baseline, and awkward character spacing.

Tuesday, October 5, 2010

Local Flavor Type

Taken in the Sydney Airport in Australia

My lacrosse team went to Australia this summer and right when we got out of customs, this large, rotating picture was on the wall, welcoming us to Sydney. The lines in the picture are actually long, thin, rectagular panels that had three different sides and when the panels flipped in unison, a new picture appeared. I felt this was local flavor typography because the Opera House and the city of Sydney is formed out of letters, which shapes the buildings of the city. The Sydney airport was actually  filled with different graphics like this one, each was a different picture made of flowing typography that reflected the Australian culture. This local flavor typography is much like my earlier post (Psychedelic Type), but this style of type pretty much retains its shape and isn't distorted very much, just arranged in different angles and different colors to form the picture as a whole.

Asian Type

Taken from Kyodai on Pennsylvania Avenue, Towson
 
The Asian typeface is exemplified at this well-known Towson sushi bar, located at 1 Pennsylvania Avenue in Towson, MD. The Asian type is clearly identified in the restaurant's name and is reflects the culture that the business represents. The type mimics the Asian style in a calligraphic manner--the arms and legs of the letters become increasingly thinner or increasingly thicker with each stroke. The acute terminals of the letters, most clearly shown in the "I" of "KYODAI", gives the letters a jagged look, along with the sans-serif typeface, which Asian characters are known for. 
If you're interested in using this style of typography in the future, Dafont.com has Asian fonts can be downloaded for free at: http://www.dafont.com/theme.php?cat=201.

Historical Typography (used in a contemporary design)

Album art from http://blog.albumartexchange.com/2009/06/close-encounters-with-third-eye-blind.html

My favorite band of all time is Third Eye Blind and as I was looking online for some band memorabilia, I found this album cover that was an idea for their most recent album, Ursa Major. I noticed that in the background there is historical typeface, "We therefore, the Representatives of the United States of America...," which is of course, The Declaration of Independence. Even if someone were to not know who Third Eye Blind is, the distressed style to this historical typeface on the antiqued parchment-like surface and the fact that the font is in a sense, speaking the words from the time period it originated, conveys to the viewer that this band is not just another pop, hip-hop group.

Distressed Type


Taken from my 2008-2009 Towson Women's Lacrosse practice pinnie

Now to be honest, I was pissed when my coaches gave us these reversible mesh jerseys to practice in. At first, I thought that maybe our equipment manager had gotten us defective pinnies and Towson was too cheap to get us properly printed issued gear. I then thought, gosh, just my luck, I bet no one else on my team has a misprinted jersey, but as I looked around at the confusion that was also on my teammate's faces, I realized...all of our jerseys has the same fatigued type. I came to the conclusion that either Towson hired the wrong people to print out clothes, or maybe that's how the letters and numbers were supposed to look. I came to find out that our coaches  had picked the distressed look because it looked "badass" and every since then, I've always thought of this particular style of typeface as just that. Since distressed typography appears to have a bold, rugged quality, I've noticed that it's often used as an attention-getter on posters and usually only used for short sentences that are meant to evoke strong emotions and meaning.
The DesignM.ag site has more examples of distressed typography that I thought was really interesting and you can visit it here: http://designm.ag/inspiration/textured-typography/.

Historical Type

 Ayd Hardware logo from http://aydhardware.net/

Ayd Hardware is a hardware store located at 6801 York Road, Baltimore MD, 21212, which I pass frequently since it's less than a half mile away from my apartment. I have always enjoyed their typeface choice that appears to be reminiscent of the historical US. This historical font gives the store a family-owned, trustworthy appeal. Since this historical typeface reflects a hardware store, I believe that the typographical design is extremely successful, rather than if it had been used to represent a trendy, hip boutique for young women. In my opinion, historical fonts should not be thought of as antiquated just because today's world is moving into a more contemporary direction. When used for the right design, the subtle simplicity of historical typefaces can visually convey credibility and appeal.

Thursday, September 16, 2010

Psychedelic Type

Otis Rush band poster from SixtiesPosters.com

The 1960's were known for their "psychedelic" typefaces that reflected the cultural time period. Psychedelic typefaces could be described as free-flowing and each letter appears to almost to connect with one another. This era of type gave designers the opportunity to integrate type with other artistic elements--words became a part of an intricate design, molding around shapes, each letter appearing to have a unique quality.
Wes Wilson was known for his psychedelic art and typography and designed many posters for popular bands of the 1960's.
To see other psychedelic typefaces, visit Fontscape.